德前卫摇：Can《LIVE IN PARIS 1973》2024/24-96_FLAC/BD

最终之战

Can
Profile:       
German experimental rock band formed in Cologne circa 1968, initially as Inner Space and becoming "The Can" when fronted by American vocalist Malcolm Mooney. Can are well-known as one of the key pioneers of Krautrock, particularly during the era when fronted by Japanese singer Kenji "Damo" Suzuki who "turned their sound towards a crazy mixture of improvisation, noise, mantra and funk rhythms". They were constantly at the forefront of the Krautrock scene during their 10+ year history, composed music for films by directors including Roland Klick and Wim Wenders, and had an international hit with their pop satire single "I Want More" (1976).

The first Can member to go solo was Holger Czukay, and after Can split keyboard player Irmin Schmidt established a successful solo career. Other Can members also went solo and/or participated in other projects. In 1986 Czukay, Karoli, Mooney, Schmidt, and Liebezeit reformed, resulting in the album "Rite Time" (1989). In March 2003 Can received the German music industry's Echo Award for lifetime achievement.

Posthumously for some members, Can continue to inspire today and are blessed with a huge collection of tape recordings that have not seen the light of day. The Lost Tapes is part of this legacy, released in 2012, also known as Holger Czukay's pension fund. A new series is taking shape in the form of live recordings by long standing Can fans that shows the depth and wealth of the bands musical resolve.

Principal members:
Irmin Schmidt (born 29 May 1937, Berlin)
Holger Czukay (born Holger Schüring, 24 March 1938, Free City of Danzig; died 5 September 2017, Weilerswist)
Jaki Liebezeit (born Hans Liebezeit, 26 May 1938, near Dresden; died 22 January 2017, Cologne)
Michael Karoli (born 29 April 1948, Straubing; died 17 November 2001, Essen)

Krautrock为一英国乐评人发明的专有名词，泛指七十年从德国蹦出来，有别於英美风格的前卫摇滚乐团。
严格说起来，Krautrcok只是一个统称，绝对不是一种单纯的音乐类型。背负著Krautrock之名的几个乐团其实在音乐本质上有很大的不同： Amon Düül把progressive rock玩的更酸、更涩。Ash Ra Temple主打漫无边际、天马行空的吉他solo。Guru Guru在把玩instrumental rock之余，也会来段长篇迷幻奇想。Neu!则完全是Stereolab早期学习模仿的对象。Faust被誉为德国的The Velvet Underground，又麻又辣的droning嗡嗡噪音，总是会让人沉迷在那种神秘性的节奏中。而Krautrock中团员年龄最老却最funky的 Can，在现场即兴时，经常激发出惊人爆发力。Kraftwerk完全舍弃了传统摇滚乐器，利用电子合成乐器演奏出流行的曲调，专辑概念充满冷酷的机器人、电脑、现代化大都市。Cluster的电子乐则做出一片Ambient太空音效。Klaus Schulze、Tangerine Dream在实验电子一途外另辟New Age大道。另外，融合印度、中南美原住民的音乐元素的Popol Vuh，则充满神秘主义味道，追求原始宗教般的古老仪式。

Can - LIVE IN PARIS 1973 (2024) [24Bit-96kHz] FLAC
    01. Paris 73 Eins.flac
    02. Paris 73 Zwei.flac
    03. Paris 73 Drei.flac
    04. Paris 73 Vier.flac
    05. Paris 73 Fünf.flac
    cover.jpg
    INFO.nfo
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finally

介绍很好，没听过的可以了解下