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Lisa Gerrard Albums (1995 - 2014)
前Dead Can Dance女主唱
Biography:
Lisa Gerrard is an award-winning singer, composer, and instrumentalist from Australia who rose to fame as a member of Dead Can Dance during the 1980s, and has remained an in-demand collaborator and soundtrack composer throughout. One of the most otherworldly vocalists of her time, she sings in the dramatic contralto and mezzo-soprano ranges, often in a self-created language. As with Dead Can Dance's work, Gerrard's own music is virtually unclassifiable, incorporating folk melodies, traditional instruments, electronics, and orchestral arrangements. Among other instruments, she is particularly skilled at playing the yangqin, a Chinese hammered dulcimer. After releasing several albums as part of Dead Can Dance throughout the '80s and early '90s, she made her solo debut in 1995 with the full-length The Mirror Pool. By the early 2000s, she'd established herself as a notable film composer; her score for the 2000 film Gladiator, in collaboration with Hans Zimmer, won a Golden Globe and her original score for 2009's Balibo which received an Aria award. Gerrard has worked on dozens of film and television scores such as A Thousand Roads (2005), Burning Man (2011), Samsara (2014), and Valley Of Shadows (2018) and released several more solo albums including 2009's The Black Opal, and 2014's Twilight Kingdom. She has engaged in numerous recorded and live collaborations with Pieter Bourke, Patrick Cassidy, Klaus Schulze, Le Mystère Des Voix Bulgares, among many others. In 2021, she and composer Jules Maxwell (Dead Can Dance's keyboardist) released the collaborative album Burn. Gerrard was born in Melbourne to Irish immigrant parents, who constantly played Mediterranean music around the house. She began making music as part of Melbourne's experimental post-punk scene during the late '70s; she met Brendan Perry through this scene, and the two founded Dead Can Dance in 1981. After moving to London in 1982, the duo signed to 4AD and produced several acclaimed albums which merged art-rock with numerous global influences. Gerrard began her solo career with the 1995 release The Mirror Pool, which contained a lot of work that wouldn't fit comfortably into the DCD oeuvre. Combining these fragments with music that she composed and arranged digitally before reconfiguring them into scores that could be performed, The Mirror Pool also draws on a composition by Handel and traditional Iranian music. Recorded and produced largely at her home in rural Australia, it extends the world music inclinations of Dead Can Dance albums by featuring bouzouki, tablas, and camel drums. The somber, orchestrated pomp of Dead Can Dance is also present in her operatic, often wordless vocals and string/woodwind passages (some of which were performed by Australia's Victorian Philharmonic Orchestra). Gerrard released her second album, Duality, written and performed with Pieter Bourke, in the spring of 1998. The two then worked on the soundtrack to the film The Insider, which was released in 1999. Gerrard and Hans Zimmer composed the score for the hugely successful 2000 film Gladiator, directed by Ridley Scott. Gerrard composed the score for director Niki Caro's Whale Rider in 2003, followed by Immortal Memory, a collaboration with Irish composer Patrick Cassidy, in 2004. Another collaboration followed in 2005, this time with composer Jeff Rona for the soundtrack to the Native American drama A Thousand Roads. Dead Can Dance also reunited that year, releasing limited-edition recordings of 21 shows from its European and North American tours, as well as a compilation titled Selections from Europe 2005 on the Show label. In 2006, Gerrard released the solo album Silver Tree, which was nominated for the Australian Music Prize. The following year, director Clive Collier's documentary film Lisa Gerrard: Sanctuary was released, as well as the compilation The Best of Lisa Gerrard, which covered her solo and film work, and Dead Can Dance material. She went on a world tour, marking the first time she had ever toured in her home country. In 2008, Farscape, her collaboration with Klaus Schulze, was released and followed by a tour. Gerrard also worked on film and television soundtracks during the year. In 2009, she began her own Gerrard Records label, and undertook another tour with Schulze. During its run, the collaborative album Dziekuje Bardzo: Vielen Dank was released. Her debut on her label, The Black Opal, was issued in October 2009 and featured collaborations with Michael Edwards, Patrick Cassidy, Pieter Bourke, and James Orr. Gerrard also wrote the score for Balibo, for which she won a Best Feature Film Score award at the 2009 APRA Screen Music Awards and an Aria Award for Best Original Soundtrack/Cast/Show Album at the 2009 Aria Awards. She finished the year by contributing her voice to the theme song for the Japanese NHK taiga drama Ryōmaden. In 2010, Gerrard and Marcello De Francisci collaborated on her album Departum and on the score for Tears of Gaza. A year later, she scored the Jim Loach-directed Oranges and Sunshine, which was nominated at the 2011 IF Awards for Best Music Score. In November, Gerrard completed her score for Burning Man, which won her Best Music Score at the 2011 Film Critics Circle of Australia awards. Gerrard's pace continued unabated. A year later she released a new album in collaboration with composer Marcello De Francisci titled Departum, three singles -- "Coming Home" (featured in the film Legend of the Guardians: The Owls of Ga'Hoole), "Entry," and "Come This Way." In December Gerrard saw the release of The Trail of Genghis Khan (with composer Cye Wood), the music from their score to the documentary TV series by Australian adventurer Tim Cope. In late 2011, Dead Can Dance reunited again for a world tour in advance of Anastasis, their first album of studio material in 16 years. They finished the tour with the promise that theirs was a formal reunion with more projects to follow. Three years later, Gerrard issued the solo effort, Twilight Kingdom, on her own label, and in 2015 sang on composer Antony Partos' score for Tanna. In September of 2015, Dead Can Dance announced via their Facebook page the sale of Perry's famed Quivvy Church Studio and their relocation to France to commence work on a studio album. Over the next two years, however, Gerrard worked solo; she sang on film scores for Jane Got a Gun, The Bible, and 2:22. At the end of 2017, she collaborated with legendary choir Le Mystère des Voix Bulgares on the single "Pora Sotunda," which subsequently appeared on the group's 2018 full-length BooCheeMish, along with three other Gerrard contributions. Dead Can Dance released their ninth studio album, Dionysus, in November of 2018, followed by Hiraeth, a full-length collaboration between Gerrard and David Kuckhermann. Melodies of My Youth, a collaboration with composer Zbigniew Preisner and pianist Dominik Wania, was released in 2019. The following year Gerrard appeared as a soloist with the Genesis Orchestra conducted by Yordan Kamdzhalov in a recorded studio performance of Henryk Górecki's Symphony No. 3: The Symphony of Sorrowful Songs. Composer Jules Maxwell joined Dead Can Dance as a keyboardist for the 2012 reunion world tour. He and Gerrard composed the song "Rising Of The Moon" together. The band eventually performed it as each evening's final encore. They also collaborated on songs for 2018's BooCheeMish. Their tracks became the seed material for an album-length collaboration. With Maps' James Chapman as a collaborator and producer, they recorded an album across three continents during 2020's COVID-19 quarantine. The finished album was titled Burn, and released in April 2021.
<The Mirror Pool> 前Dead Can Dance女主唱。阴暗音乐界少有的不用造型当亮点的女音乐家，却能在第一个音符奏响的时候捕获你的心。她的音乐中，庄严凝重的基调，高昂浑厚的女声以及完美的录音，在为黑暗乐迷贪婪攫取养分的同时，也不失为一张制作精良的试音碟。专辑所有曲目皆由Lisa Gerrard制作完成，管弦乐编排指挥为John Bonnar，维多利亚爱乐乐团演奏。可以说这张专辑成功很大部分依赖于管弦乐部分。希腊曼佗琳琴演奏以及部分人声由Dimitry Kyryakou完成，Pieter Bourke负责包括击掌在内的大部分打击乐器，Jacek Tuschewski参与人声及专辑封面制作。后期制作由Guy Charbonneau完成。
专辑音乐大致可分为俩个部分：前四首为庄严的圣咏，庄严凝重恢弘，人声蜿蜒回荡穿梭于白云山谷。不含尘世的一点杂质，仿佛天降之水般纯净清冽。最后的拥抱作为开场曲，奠定了专辑肃静的基调，缓慢悠扬庄重的前奏，维多利亚爱乐乐团精湛演绎到极至，2分07秒，声音响起，逼人的肃穆庄严女声。可惜歌词不是英语，一句没有听懂，不过光听她声音的起伏蜿蜒就能体会歌曲的意境和所要表达的东西了。第二曲在悲伤哀怨的弦乐中开始，特有的肃穆氛围，仿佛置身于有光线射入的教堂中，鸽子从天花板落下，高拱的穹顶，石膏女神在石柱上暗自叹息。Persian Love Song在Lisa的‘人声乐器’中开始，更加浑厚真实的声音，不断压迫着皮下神经，一点不轻松的音乐，却无法停止去听。第四首I Am Your Shadow编排有异与一般的编排，人声层进的编排，不断发展至高潮时戈止，好象在描写日出的过程而不是‘I am your shadow’.相对与前四首歌的凝重，后面的曲目就显得轻松多了。如果说前四首是要营造置身于维多利亚式恢弘的大教堂中的压抑感受的话，后面的曲目则是在描绘一副与世无争的世外桃源，远离尘世的喧嚣。大量民族音乐元素的运用，使的歌曲听上去虽谈不上活泼但也是丰富生动。The Rite中运用了铃鼓和非洲部落的打击乐器，感觉是前面部分的过度。Ajhon中，轻松的钟的敲击乐夹杂小鸟的叫声，充满中东风情，歌词只是一些类似号子一样的声音词。一首纯音乐小品Majhnavea's Music Box中加入合成器，诡异诱人。Largo则加入了现在教堂音乐常用的电子管风琴，短小却优美。Laurelei中Lisa距离感的声音终于第一次有了亲切的感觉，简单的吉他，拨弄着几个简单的和弦。后面的歌词风格都差不多了，就不再说了~不过依旧很好听。总之，这是一张可以在一个闲暇的物后一口气听完的专辑。 <Duality>
Duality是Dead Can Dance解散后Lisa Gerrard以个人名义出版的专辑。风格延续了她在dcd时期的中东音乐的风格。这个在黑暗中婀娜多姿起舞的女人，以最大的可能表现了黑暗乐风独具特色的魅力，即无限优美的旋律，不食人间烟火的主音空灵飘荡和中东色彩的神秘乐声层层浸染于西塔琴落寞的抽泣中响板孤独而轻盈的点击，使你置身于明暗世界。真正灵魂的东西是隐藏在音乐中深厚的文化和宗教底蕴以及不可避免的缥缈黑暗的氛围。让我们虔诚地感激这个眩目却谦卑的艺术精灵,愿它继续它优美的幻想吧。
Album List:
(1995) Lisa Gerrard - The Mirror Pool
(1998) Lisa Gerrard & Peter Bourke - Duality
(1999) Lisa Gerrard & Pieter Bourke - The Insider (OST)
(2000) Lisa Gerrard & Hans Zimmer - Gladiator (OST)
(2003) Lisa Gerrard - Whalerider (OST)
(2004) Lisa Gerrard & Patrick Cassidy - Immortal Memory
(2004) Lisa Gerrard, Patrick Cassidy & Christopher Gordon - Salem's Lot (OST)
(2005) Lisa Gerrard & Jeff Rona - A Thousand Roads (OST)
(2006) Lisa Gerrard - The Silver Tree
(2007) Lisa Gerrard - The Best of Lisa Gerrard
(2008) Lisa Gerrard & Klaus Schulze - Rheingold [Live At The Loreley]
(2008) Lisa Gerrard & Klaus Schulze - Farscape
(2009) Lisa Gerrard - The Black Opal
(2009) Lisa Gerrard & Klaus Schulze - Come Quietly
(2009) Lisa Gerrard & Klaus Schulze - Dziekuje Bardzo-Vielen Dank
(2010) Lisa Gerrard & Cye Wood - The Trail of Genghis Khan (OST)
(2010) Lisa Gerrard & Marcello De Francisci - Departum
(2013–14) Lisa Gerrard & Klaus Schulze - Big In Europe
(2014) Lisa Gerrard - Twilight Kingdom
Media Report:
Genre: Various
Country: Various
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits =========================== 和彩云下载（最终的金属仓库） |
发表于 2022-3-10 11:14:24
发表于 2022-3-10 11:25:06
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