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氛围/古典:Yann Tiersen《Kerber》2021/FLAC/HCY

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发表于 2022-1-14 19:30:59 | 显示全部楼层 |阅读模式

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(2021) Yann Tiersen - Kerber




Review:
From the 2010s onward, Yann Tiersen‘s music reflected just how important his roots were to him. Though he took a brief break with 2019’s Portrait — itself a celebration of his decades-long career — he dedicated several albums to chronicling his homeland of Ushant, a small island off the west coast of Brittany in the Celtic Sea. On 2016’s Eusa, his delicate piano compositions sketched out a musical map of the island, a concept he expands on with Kerber. Named for a chapel on Ushant and inspired by the landscape surrounding Tiersen’s home, its pieces were also originally written on piano (and as with Eusa, Tiersen made Kerber‘s compositions available as sheet music), but the composer and producer Gareth Jones restructured them with intricately crafted samples and electronic processing in Tiersen’s Ushant studio, the Eskal. The results feel like a mingling of the past, present, and future of Ushant and of his music. Aside from the obvious connection to Eusa, Kerber‘s washes of sound hark back to ∞ (Infinity)‘s luminous atmospheres, and the way Tiersen and Jones weave together acoustic and electronic elements showcases the composer’s refined melodies. Ricocheting textures and hazy ambiences branch off hopefully from “Kerlann”‘s deceptively simple piano part, while shimmering contrails float after “Ker Yegu”‘s sunny melody and counterpoint. These artfully layered sounds give the impression of multiple histories and memories piled atop each other on pieces such as “Ar Maner Kozh,” where fluttering synth bass, reverberating piano, and dewy electronics conjure an enveloping yet hard to classify mood. Kerber’s distinct emotional states highlight every facet of Tiersen’s love for Ushant, whether it’s the unabashed sweetness of “Kerdrall” or the more complex terrain of “Ker Al Loch,” which announces its shifts from poignant to intense with dramatic percussion and tempo changes. Here and throughout Kerber, the new and inviting layers Tiersen adds to his musical history of Ushant take listeners on a rewarding journey.

Media Report:
Genre: ambient, classical
Country: France
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits

Track Listing:
1.Kerlann 06:32
2.Ar Maner Kozh 06:03
3.Kerdrall 05:31
4.Ker Yegu 04:34
5.Ker al Loch 06:49
6.Kerber 10:19
7.Poull Bojer 06:09



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发表于 2022-1-14 21:18:20 | 显示全部楼层
看着挺超现实的,听听看。感谢楼主分享!

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发表于 2022-1-14 21:57:16 | 显示全部楼层
先谢楼主分享分享分享

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发表于 2022-1-14 22:12:34 | 显示全部楼层
扬还是很牛批的,感谢战总分享~

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发表于 2022-1-14 22:52:59 | 显示全部楼层
有点电子乐的感觉!
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发表于 2022-1-15 06:50:32 | 显示全部楼层
感谢分享。。。听古典新绎
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发表于 2022-1-15 07:49:38 | 显示全部楼层
感谢楼主分享,借来听下哈!

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发表于 2022-1-15 09:10:22 | 显示全部楼层
重型听惯了,听点不一样的

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发表于 2022-1-15 09:47:39 | 显示全部楼层
Yann Tiersen 试听的相当好

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发表于 2022-1-15 10:08:37 | 显示全部楼层
谢谢楼主的分享!

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发表于 2022-1-16 02:23:52 | 显示全部楼层
超现实的,听听看。感谢楼主分享

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发表于 2022-1-19 21:06:25 | 显示全部楼层
感谢楼主分享~~
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发表于 2022-1-26 01:51:32 | 显示全部楼层
谢谢楼主分享好听的古典音乐
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发表于 2022-2-2 14:21:35 | 显示全部楼层
极品音乐.优美动听.

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发表于 2022-2-4 01:33:22 | 显示全部楼层
喜欢这样的轻松音乐,谢谢
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