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[欧美] 民谣女诗人 Joan Baez《Baptism》1968/FLAC/BD

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发表于 2018-4-25 14:33:00 | 显示全部楼层 |阅读模式




资源格式:flac整轨+cue+log

艺人:        Joan Baez
语种:        英语
唱片公司:        Vanguard Records
发行时间:        1968年06月01日
专辑类别:        录音室专辑
专辑风格:        当代民谣 Contemporary Folk, 诗歌 Poetry

Joan Baez专辑介绍:
Joan Baez非常不一样的作品,吸收了当时的一些潮流,比如专辑的概念化以及政治社会环境。另外,它也是一张演绎诗歌的专辑,和民谣尝试结合起来。

by Bruce Eder
Joan Baez's most unusual album, Baptism is of a piece with the "concept" albums of the late '60s, but more ambitious than most and different from all of them. Baez by this time was immersed in various causes, concerning the Vietnam War, the human condition, and the general state of the world, and it seemed as though every note of music that she sang was treated as important -- sometimes in a negative way by her opponents; additionally, popular music was changing rapidly, and even rock groups that had seldom worried in their music about too much beyond the singer's next sexual conquest were getting serious. Baptism was Baez getting more serious than she already was, right down to the settings of her music, and redirecting her talent from folk song to art song, complete with orchestral accompaniment. Naturally, her idea of a concept album would differ from that of, say,
Frank Sinatra
or
the Beatles
. Baptism was a body of poetry selected, edited, and read and sung by Baez, and set to music by
Peter Schickele
(better known for his comical musical "discoveries" associated with "P.D.Q. Bach," but also a serious musician and composer). In 1968, amid the strife spreading across the world, the album had a built-in urgency that made it work as a mixture of art and message -- today, it seems like a precious and overly self-absorbed period piece. Baez lacks the speaking voice to pull off an album's worth of readings, though her interpretations of
Federico García Lorca
's "Casida of the Lament" and "Gacela of the Dark Death" show her achieving a level of compelling expressiveness that is lacking elsewhere; and the recording of
Countee Cullen
's "Epitaph for a Poet" features some beautiful accompaniment by
Schickele
. Additionally, the sung portions, including "Old Welsh Song," "Who Murdered the Minutes," "The Magic Wood," and "Oh, Little Child" by Henry Treece, "Of the Dark Past" by James Joyce, "All in Green Went My Love Riding" by e.e. cummings, and the lullaby "All the Pretty Little Horses" are beautiful and sustain those portions of the album. Baptism is primarily for Baez completists, however, although it is also a singular reminder for '60s history buffs that not all of the antiwar movement's music, or the work coming out of the folk scene in 1968, was necessarily loud, harsh, or bitter.

        1        Old Welsh Song
        2        I Saw the Vision of Armies
        3        Minister of War
        4        Song in the Blood
        5        Casida of the Lament
        6        Of the Dark Past (Ecce Puer)
        7        London
        8        In Guernica
        9        Who Murdered the Minutes
        10        Oh, Little Child
        11        No Man Is an Island
        12        From Portrait of the Artist as a Young Man
        13        All the Pretty Little Horses
        14        Childhood III
        15        The Magic Wood
        16        Poems from the Japanese
        17        Colours
        18        All in Green Went My Love Riding
        19        Gacela of the Dark Death
        20        The Parable of the Old Man and the Young
        21        Evil
        22        Epitaph for a Poet
        23        Mystic Numbers: 36. Wedding Song
        24        When The Shy Star Goes Forth In Heaven
        25        The Angel
        26        Old Welsh Song


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这一张少有见到

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继续收藏Joan Baez

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该专辑中居然有这么多首歌曲?

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GOOD JOP! THANK YOU VERY MUCH

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我平时听得比较多的类型哈,现在很多的流行乐实在接受不了,太白开水了

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心中女性歌者的最高位置,感谢分享。

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这一张少有见到
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经典资源,感谢楼主提供分享!!!

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继续收藏Joan Baez

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特别稀缺的资源,万分感谢楼主!

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谢谢楼主谢谢楼主,下一个

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非常感谢分享!

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回复要这么多字,我需要音乐需要音乐,谢谢哈哈哈哈哈

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应该不错谢谢奉献
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