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实验/爵士/世界:VA《The Rough Guide to Avant-Garde Japan》2021/FLAC/H+X+C

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发表于 2021-4-15 11:47:13 | 显示全部楼层 |阅读模式

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(2021) VA - The Rough Guide to Avant-Garde Japan

Media Report:
Genre: experimental, jazz, world
Format: FLAC
Format/Info: Free Lossless Audio Codec, 16-bit PCM
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits

Review:
It’s something of a paradox that a country with a reputation for conformity and obeying the rules has also produced some of the world’s most radical music, where rules are only there to be broken. The origins of the experimental, avant-garde, free jazz, improvisation and onykokei (reverberation of sound) scenes date back to at least 1951, when the American administration departed Japan. Of course, improvisation is inherent in some Japanese musical traditions. Zen Buddhism and new music emerging from America and Europe had a natural affinity, indeed Zen philosophy had a profound effect on John Cage, Stockhausen and others. Yet these global influences were never fully integrated, rather interpreted by Japanese musicians and their own traditions remained never far from the surface. Koto players, particularly Tadao and Kazue Sawai began to push the boundaries of koto music in the 1960s and 70s. Michiyo Yagi,a student of the Sawai’s, is one such benefactor of these early trailblazers. Inspired by John Cage, and New York’s John Zorn, she utilises techniques such as bowing, percussive effects, and slide koto on the album opener ‘Rouge’. The album also features the unique singer/songwriter koto player Karin, as well as the koto/guitar duo tsuMGuito (Maya Kimura and Norio Sato) who pay tribute to French composer Pierre Boulez in an experimental composition by Shintaro Imai. Many technically brilliant saxophonists emerged during the 1970s and 80s, while others took a more experimental route, such as Akira Sakata, Kazutoki Umezu and Yasuaki Shimizu. Masanori Oishi is another recent maverick saxophonist who plays the music of Dutch ‘avant-pop’ composer Jacob TV. Japan has been at the forefront of electronic music, both in the creation of the instruments (Ace Tone, Korg, Roland) and pioneering artists, from Toru Takemitsu through to Tomita and Yellow Magic Orchestra. From the early 1990s, Yoshihide Otomo developed the experimental, noise and improvisation scenes further, playing guitars, turntables and electronics, firstly with his band Ground Zero. These days he’s well known globally, while at home his soundtracks have made him a household name. The closing track is a previously unreleased live recording from the now legendary Japanorama tour of the UK in 2001. This Japanorama line-up included another pioneering and featured musician, Haco, who beginning with her group After Dinner has gone on to record several groundbreaking albums. Vocalists have played their part in developing Japan’s avant-garde scene. EMiKO VOiCE is equally adept at interpreting Toru Takemitsu or Japanese folk tunes as on this track ‘Sanosa’. Likewise, veteran singer Shun Sakai has become increasingly involved in the experimental and avant-garde scenes, as this truly bizarre track with her band the Long Goodbye demonstrates. While avant-garde, free jazz, improvisation and experimental all remain firmly part of the underground, some artists have built up quite a following both at home and abroad. One such band is Shibusashirazu, who have performed twice at Glastonbury and several times at Fuji Rock, and like many of the featured artists, are trailblazers of a Japanese avant-garde scene which has developed its own distinct flavours, not replicated in any other country. This unique collection gives an insight into its richness and diversity.








Tracklist:
01. Michiyo Yagi - Rouge
02. Masanori Oishi - Syracuse Blues
03. Haco - Over the Unfinished Bridge
04. Cockroach Eater - Kyogen Qabbalah
05. Ken Sugai - Daidai
06. Karin. - Uiteruyo
07. Jittyaku Orchestra - Suwarikome Koko e
08. EMiKO VOiCE - Sanosa
09. Mutsumi Aragaki - Nankuru Nankuru
10. Shibusashirazu - Akkan
11. Shun Sakai & The Long Goodbye - Sukanpo No Sakukoro, Bengawan Solo, Kanpyo
12. A Mother Tongue Project - Noosphere
13. tsuMGuito - fPB
14. Japanorama - Ensemble One


===========================

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发表于 2021-4-15 13:29:22 | 显示全部楼层
又是一夜起来冒出许多新专辑!厉害厉害!感谢楼主分享!!

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发表于 2021-4-15 15:50:42 来自手机 | 显示全部楼层
Thanks for sharing this wonderful music

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发表于 2021-4-15 17:05:40 | 显示全部楼层
感谢战兄分享,支持
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发表于 2021-4-15 18:38:26 | 显示全部楼层
沒聽過,下載聽聽看

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发表于 2021-4-15 20:12:11 | 显示全部楼层
不知道是啥,但是知道是爵士就收
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发表于 2021-4-16 08:33:53 | 显示全部楼层
这张专辑感觉很牛逼!

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发表于 2021-4-16 15:33:38 | 显示全部楼层
感谢楼主分享资源

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发表于 2021-4-22 16:27:10 | 显示全部楼层
Thanks for sharing this wonderful music

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发表于 2021-4-24 09:57:06 | 显示全部楼层
这张唱片的翻译为,《日本先锋派粗糙的指南》,我不太理解,下载之后,欣赏一下,以解我的疑惑。

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发表于 2021-5-14 21:24:50 | 显示全部楼层
好奇,很好奇,感谢分享

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发表于 2021-11-9 17:02:36 | 显示全部楼层
记得很多年前听过一张日本先锋的合辑,里面有一只叫ZOFFY的乐队,是废墟的鼓手和一个特知名的吉他手组成的,用拉锁演奏声音,好想再回头听一遍

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发表于 2022-2-10 00:16:26 | 显示全部楼层
看着就感觉不错,听听看。
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