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本帖最后由 第二上方 于 2021-3-1 19:04 编辑
时间不多了,10月份又要去搬砖养家,所以把听了三个月之后,必须是今年最喜欢的一套唱片拿出来分享,尔后告别,那就是比利时艺术团体 Neptunian Maximalism 6月份发布的 Éons.
关于艺术家团体,诉诸Discogs——NEPTUNIAN MAXIMALISM, a.k.a. NNMM is a community of “cultural engineers” (*Genesis P-Orridge) using sounds, with a variable line-up. This project was initiated by Guillaume Cazalet (CZLT) and the veteran saxophonist player Jean-Jacques Duerinckx (Ze Zorgs) in Brussels (2018), during a residency with and two drummers Sebastien Schmit (K-Branding) and Pierre Arese (AKSU).
Current line-up :
° Guillaume Cazalet (CZLT) : Amplified guitar, vocals.
° Jean Jacques Duerinckx : Amplified barytone saxophone and sopranino.
° Reshma Goolamy : Amplified bass.
° Romain Martini : Amplified guitar.
° Didié Nietzsch : Digital soundcapes, spectral.
° Joaquin Bermudez : Amplified Saz & Setar.
° Alice Thiel : Amplified guitar, synth.
° Stephane FDL : Drums & percs.
° Lukas Bouchenot : Drums & percs.
° A Thousand Lost Civilisations : black & chaos magic, lightening, video.
Other members :
° Sebastien Schmit : Drums, percussions, gongs.
° Pierre Arese : Drums and percussions.
关于这张专辑,几乎集合了融合音乐所有的元素,却秩序井然地呈现出来,没有任何拼凑的感觉,以至于无论你是摇滚乐爱好者、金属党,还是先锋爵士的拥趸,都可以在这套唱片里发现你心底那一点爱好在融合音乐里的投影,所以,放下你的偏见,打开风格壁垒,迈进融合时代,这就是新世界。
继续诉诸 Discogs——NEPTUNIAN MAXIMALISM: Belgium (Bruxelles, Région de Bruxelles-Capitale)
GENRES: Experimental Metal | Drone Metal | Psychedelia
LABEL: I, Voidhanger Records (USA)
CATALOG: IVR133
FORMAT: web | Album
TYPE: tracks
RELEASED: 26.06.2020
track listing
To the Earth:
01. Daiitoku-myōō no ōdaiko 大威徳明王 鼓童 - l'Impact de Théia durant l’Éon Hadéen (06:14)
02. Nganga - Grand guérisseur magique de l’ère probocène (08:36)
03. Lamasthu - Ensemenceuse du reigne fongique rimordial & infanticides des singes du Néogène (04:00)
04. Ptah Sokar Osiris - Rituel de l’ouverture de la bouche dans l’Éon Archéen (09:17)
05. Magická džungl'a - Carboniferous (02:21)
06. Enūma eliš - La mondialisation ou la création du monde : Éon Protérozoïque (07:11)
To the Moon:
07. Zâr - Empowering the Phurba / Éon Protérozoïque (07:05)
08. Vajrabhairava Part I - The Summoning (Nasatanada zazas!) (06:03)
09. Vajrabhairava Part II - The Rising (02:05)
10. Vajrabhairava Part III - The Great Wars of Quaternary Era Against Ego (08:36)
11. Iadanamada! - Homo-sensibilis se prosternant sous la lumière cryptique de proboscidea-sapiens (05:38)
12. Ol sonuf vaoresaji! - La sixième extinction de masse : Le génocide Anthropocène (12:33)
To the Sun:
13. Eôs - Avènement de l’Éon Evaísthitozoïque probocène flamboyant (18:33)
14. Heka hou sia - Les animaux pensent-ils comme on pense qu’ils pensent ? (06:21)
15. Heliozoapolis - Les criosphinx sacrés d’Amon-Rê, protecteurs du cogito ergo sum animal (15:24)
16. Khonsou Sokaris - We Are, We Were and We Will Have Been (08:37)
total length (02:08:26)
最后是一点艺术家的补充资料:
The result was a bifacial entity, sometimes calling for a primitive voodoo trance with percussive intonations, dominated by rhythm and a savage movement, sometimes towards a psychedelic meditation with prophetic and spiritual accents resting on an amplified drone music where time is explored, harmony, the power of the tonic and its iridescent harmonics, durability, weight, ruin.
From this residency were born a trilogy to come on I, VOIDHANGER RECORDS , dedicated to the Sun, the Moon and the Earth and a first album, The Conference Of The Stars, released on the label HOMO SENSIBILIS SOUNDS, mixing drone metal and spiritual free jazz, animated by a cosmic and psychedelic energy.
In 2019, Reshma Goolamy (bass), Romain Martini (guitar), Didié Nietzche (48 Cameras, Radio Prague), Joaquin Bermudez (Phoenician Drive) and Alice Thiel (Thot) joined the project that takes the form of an “Opera Drone”. In 2020, Lukas Bouchenot & Stephane Fedele join their forces on drums and turns the music into an heavy psych experience.
By exploring the evolution of the human species, particularly through the use of speculative texts in Homo-sapiens prototypal language (*Pierre Lanchantin), they question the future of the living on earth. They try to create a sense of acceptance of the end of the "Anthropocene" era through a musical and soteriological experience.
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