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艺人： Honeyblood
语种： 英语
唱片公司： FatCat
发行时间： 2014年05月19日
专辑类别： 录音室专辑
专辑风格： 独立摇滚 Indie Rock
Honeyblood (2014) [FLAC]
Genre: Rock
Styles: Indie, Garage, Lo-fi
Source: WEB
Codec: FLAC
Bit Rate: ~ 1,000 kbps
Bit Depth: 16
Sample Rate: 44.1 kHz
01 Fall Forever
02 Super Rat
03 (I'd Rather Be) Anywhere But Here
04 Bud
05 Killer Bangs
06 Biro
07 Choker
08 No Spare Key
09 Joey
10 Fortune Cookie
11 All Dragged Up
12 Braid Burn Valley
Review
At first glance, Honeyblood seems tailor-made to embody as many indie rock trends from the late 2000s and early 2010s as possible: they're an all-female guitar and drums duo playing noisy pop heavily indebted to the '90s, right down to their compound word band name. Yet Honeyblood's moniker also reflects the fascinating duality of Stina Tweeddale and Shona McVicar's self-titled debut album, on which they deliver equal amounts of sugar and grit -- as well as a surprising amount of nuance -- with their guitars, vocals, and drums. Tweeddale's voice is so ringingly clear that it's a pleasure to hear, whether she's singing sullen surfer-girl pop à la Best Coast on "(I'd Rather Be) Anywhere But Here" or about bruises that look like roses on the closing track, "Braid Burn Valley." Sometimes they're more sophisticated, as on the delicate, almost jazzy drum work that graces "Fall Forever"'s breakdowns; sometimes they're more rambunctious, as on the snarling "Super Rat" or the irresistible "Fortune Cookie." However, the duo's most knowing songs may be the most winning. Honeyblood's debut single, "Bud," is still a standout, with Tweeddale giving Jenny Lewis a run for her money in the wryly gorgeous and heartbroken sweepstakes as she sings lyrics like "Tender bloom of doom/Like a nursemaid to a battle wound." "Choker" presents the duo's darker side, evoking University-era Throwing Muses with its stabbing riffs and deceptively catchy angst, while "No Spare Key" captures the vulnerability of being so in love that there are no other options. While there's a small but significant gap between Honeyblood's outstanding songs and the rest of the album, it's still a debut full of moments of depth and moments of instant gratification -- as well as lots of potential.
Artist Bio
Glaswegian noise-pop duo Honeyblood formed in early 2012, consisting of Stina Marie Claire Tweeddale on guitar and vocals and Shona McVicar on drums. The two took inspiration from dark and cloudy '90s indie rock luminaries like PJ Harvey, Sonic Youth, and Throwing Muses, and filtered it into a gorgeously murky, home-recorded sound of their own, quickly growing a profile locally and eventually opening shows for the likes of Sleigh Bells, and even performing at bigger festivals. The group's grassroots two-song demo cassette quickly caught the attention of FatCat Records, who signed the band in 2013 and issued their first single, Bud, later that year. A full-length release was planned to follow.
注：（低保真（Lo-Fi）的发展及其影响在80年代末90年代初的时候，低保真已经不再只是对某张特定专辑录音质量的描述，它本身就成为了一种流派。贯穿整个摇滚史，唱片的录制往往都是在不合规格的设备上廉价而迅速地完成的。从这个意义上讲，那些最早的摇滚唱片、60年代绝大部分的车库摇滚和70年代后期许多的朋克摇滚都可以贴上低保真的标签。然而后来，低保真谈及的是搞地下独立摇滚的一类音乐人，他们用四轨的仪器在家录制其音乐素材。大部分这种音乐发源于80年代的美国地下，包括像R.E.M这样的乐队；另外还包括一批英国的原型朋克乐队和新西兰的乐队，比如the Chills 和 the Clean. 通常，这些低保真乐队会从简单的流行摇滚歌曲波动到自由形态的歌曲结构或纯粹的噪音与艺术性的实验音乐。尽管这些乐队保持了音乐的相对简单易与直接，但唱片质量低下的灌制、磁带涂层的声音失真与嘶嘶作响、以及抽象而愚钝的歌词依然使得他们的音乐声音显得不寻常而激进。最开始的时候，低保真的唱片都以自制磁带的方式进行交易，但也有一些独立的厂牌发布了正式的专辑，最著名的就是由Calvin Johnson经营的，领导了Beat Happening乐队的K Records.80年代末期，一些像Pussy Galore, Beat Happening 和 Royal Trux这样的乐队，在美国地下拥有了一小批狂热的追随者。到1992年，像Sebadoh 和 Pavement 这样的乐队已经通过他们蓄意做出的嘈杂而混乱的唱片成为在英美大受欢迎的崇拜偶像。几年之后，这种低保真美学在Liz Phair 和 Beck的帮助下以一种改进过的更加新型的式样侵占了主流市场。
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