CD包音乐网

标题: 原声:Jóhann Jóhannsson《Mandy》2018/FLAC/XLYP [打印本页]

作者: 最终之战    时间: 2024-1-12 17:59
标题: 原声:Jóhann Jóhannsson《Mandy》2018/FLAC/XLYP

(2018) Jóhann Jóhannsson - Mandy (Original Motion Picture Soundtrack)




Review:
Film composers don’t always get to decide what their final score will be, whether it will constitute a career-capping classic or just another paycheck. While Bernard Herrmann finished the mournful saxophone score for Taxi Driver just hours before his death, the last entry in Henry Mancini’s mighty filmography is the best-forgotten Son of Pink Panther. The tragic passing, earlier this year, of the 48-year-old Icelandic composer Jóhann Jóhannsson, who seemed sure to have a long and distinguished career ahead of him, was a blow to both cinematic and experimental music. Fans who followed Jóhannsson’s career from his exquisite debut album, Englabörn, to his Oscar-nominated scores for The Theory of Everything and Sicario—and who agonized over what his aborted score for Blade Runner 2049 might have sounded like—can only wonder what might have come next. To learn that Jóhannsson’s final completed score was for a Nicolas Cage horror movie could give one pause (or make one scream: “Not the bees!”). But Mandy isn’t just any Nicolas Cage horror movie; it’s the second film from Panos Cosmatos, the director responsible for 2010’s hallucinatory Beyond the Black Rainbow. And in Jóhannsson, he had a composer willing to forge ahead to the most extreme sounds possible. “Jóhann went above and beyond, and I suspect to the limits of his sanity, to make the music for this movie,” Cosmatos says in the soundtrack’s liner notes. It’s a visceral thrill to hear Jóhannsson leave the demands of Hollywood orchestral scores behind and move wholly into his element, pushing toward harrowing new sounds. Mandy revels in black metal, menacing ambient, doom drone, and piercing orchestrations in the mode of Italian experimental composer Giacinto Scelsi. Darkness and despair infuse nearly every moment of Jóhannsson’s score, its atmosphere conjured in part by co-producer Randall Dunn, with Sunn O)))’s Stephen O’Malley on guitar. The heaviness native to their work is palpable from the tectonic bass rumble and low chords of “Seeker of the Serpent’s Eye” to the dread-inducing brass smears of “Starling.” Even the film’s love theme is forlorn, all solemn guitar swells. Mandy bears some resemblance to Dunn and O’Malley’s work with Oren Ambarchi on 2014’s Shade Themes From Kairos, except that the album’s side-long immersions are split into smaller, but no less intense, chunks. This harshness reaches a breaking point with the fierce, lashing noise of “Black Skulls,” its metal scrapes and queasy low frequencies pushing the entire track into the red. But one of Jóhannsson’s great gifts was his sense of sonic balance: He could make icy, spare soundscapes drip with warmth and locate the human element amid big machinations. Just as Mandy strikes a nerve with nihilistic noise, he sweeps back to a gorgeous, heart-rending theme, like “Death and Ashes.” Similarly, the ambient anxiety that suffuses the early part of the score also gives a rhythmic element to its back half, with the sludgy thuds of “Dive-Bomb Blues” and “Waste” evoking Melvins’ early-’90s run. Mandy also ventures into some entirely new terrain for Jóhannsson. The glassy ’80s electronic tones of “Children of the New Dawn” evoke the Italians Do It Better roster as well as the work of French house producer Kavinsky; though the piece is an outlier on the soundtrack, it might well have opened up a new sonic world for the composer to explore. It’s tragic that we will never know just what lay ahead for Jóhannsson, but Mandy hints at a future both bright and bleak. — pitchfork By Andy Beta



   




Track List:
01 - Seeker of the Serpent's Eye
02 - Starling
03 - Mandy Love Theme
04 - Horns of Abraxas
05 - Black Skulls
06 - Death and Ashes
07 - Sand
08 - Red
09 - Forging the Beast
10 - Dive-Bomb Blues
11 - Waste
12 - Temple
13 - Burning Church
14 - Memories
15 - Children of the New Dawn


Media Report:
Genre: original soundtrack
Country: Reykjavík, Iceland
Format: FLAC
Format/Info: Free Lossless Audio Codec
Bit rate mode: Variable
Channel(s): 2 channels
Sampling rate: 44.1 KHz
Bit depth: 16 bits
Compression mode: Lossless
Writing library: libFLAC 1.2.1 (UTC 2007-09-17)
======================
迅雷云盘
分享文件:(2018) Jóhann Jóhannsson - Mandy (Original Motion Picture Soundtrack) [FLAC]
链接:
复制这段内容后打开手机迅雷App,查看更方便

作者: 最终之战    时间: 2024-1-12 18:00
又名: 曼蒂电影原声
表演者: Jóhann Jóhannsson
流派: 原声
专辑类型: 专辑
介质: 数字(Digital)
发行时间: 2018-09-14
出版者: Lakeshore Records
相关电影:  曼蒂
其他版本:  Mandy OST (全部)

简介  · · · · · ·
  影片故事发生在1983年,凯奇饰演的雷德·米勒是一位樵夫,与老婆曼蒂(安德丽亚·瑞斯波罗格 饰演)居住在深山林里的一栋木屋。老婆曼蒂被一个价值观扭曲的宗教组织“新黎明之子”(The Children of the New Dawn)看上。该组织的领头杰瑞马雅(莱纳斯·罗彻 饰演)欲收纳曼蒂入会未果,就在雷德面前活活把曼蒂烧死。雷德一度精神错乱,最终踏上复仇之路。
曲目  · · · · · ·
1 Seeker of the Serpent's Eye
2 Starling
3 Mandy Love Theme
4 Horns of Abraxas
5 Black Skulls
6 Death and Ashes
7 Sand
8 Red
9 Forging the Beast
10 Dive-bomb Blues
11 Waste
12 Temple
13 Burning Church
14 Memories
15 Children of the New Dawn

作者: lovecats    时间: 2024-1-13 09:16
谢谢楼主分享.....

作者: 素养素养    时间: 2024-1-16 12:35
好东东!支持一下!真棒!!

作者: fxqjfzj    时间: 2024-1-24 21:31
非常喜欢的音乐类型,谢谢分享!

作者: heyong1133    时间: 2024-2-4 10:09
感谢楼主分享资源
作者: bloodlili    时间: 2024-2-26 21:22
感谢了,支持一下吧,好音乐,当然不能错过的。

作者: pbcd    时间: 2024-8-9 16:08
也是收了啊,现在不晚




欢迎光临 CD包音乐网 (https://www.cdbao.net/) Powered by Discuz! X3.4