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熊云韵古琴独奏专辑《广陵散 24KG CD》WAV+CUE/快传+百度

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发表于 2014-4-23 17:55:16 | 显示全部楼层 |阅读模式

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熊云韵古琴独奏专辑-广陵散 24KG CD







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熊云韵古琴独奏专辑:广陵散 24KG CD

演奏:熊云韵
出版:广东音像出版社
发行:红音堂(国际)唱片
京东价:¥159.10

资源品质:WAV+CUE
资源来自网络 醉耳整理上传
内容简介

单曲介绍:
    1)《广陵散》
    “烈火粉骨的冤屈,幽怨绝世的悲泣,焚尽千古热血的身躯。惟,燃不尽的,是涤荡千年的正义!黑夜破晓的光明,是愤慨不屈的浩然之气,纵横在广陵聚散无边的天际。”
    “Guang Ling Melody “
    “The grievances and resentment peerless weep like fire burning bones, burn the body through the ages. Except, fuel endless, is the justice thousands of years! Night dawn light, is indignant and unyielding righteousness, aspect in the Guang Ling boundless sky. “
    曲目简介:
    《广陵散》,又名《广陵止息》,是古代一首大型琴曲,它是我国著名十大古曲之一。即古时的《聂政刺韩王曲》,描写聂政为父报仇刺杀韩王的故事。魏晋琴家、竹林七贤之首嵇康以善弹此曲著称,刑前仍从容不迫,索琴弹奏此曲,并慨然长叹:“《广陵散》于今绝矣!” 今所见《广陵散》谱重要者有三,以《神奇秘谱》的《广陵散》为最早,也较为完整,是今日经常演奏的版本。全曲共45段,《广陵散》的调弦要将二弦和一弦调成同一个音--同宫音,即所谓的慢商调。本来一弦为君,二弦为臣。把二弦调到和一弦一样,那是不是要谋反篡逆呢?所以历代都被禁止弹奏。全曲贯注一种愤慨不屈的浩然之气,“纷披灿烂,戈矛纵横”。乐曲旋律激昂、慷慨,表现了正义精神,是古琴曲中唯一的“武曲”。在古代被视为“琴曲之王”。
    Tracks Introduction:
    “Guang Ling San”, aka “Guang Ling Zhi Xi” is a large ancient melodies, which is one of ten China's famous ancient classicals. Namely ancient “Nie Zheng Ci Han Wang Qu”, describing Niezheng revenge for his father to kill Han King 's story .  Wei Jin Dynasties performer Jikang top of bamboo seven sages known to play it good , before decapitated still leisurely , playing this song , and deep sigh :  “ Guang Ling San “In today's dead ! “ . Seen today “ Guang Ling San “ there are three importantly, the earliest and more complete “Guang Ling San “ is from “Shen Qi Mi Pu” ,it is often play version today.  45 Paragraph the whole song, “Guang Ling San” tunes the first chord and the second chord into the same tone - Tong Gong Yin, the so-called Man Shang Diao. King was originally the first chord, second chord for the minister. Transferred to the second chord and the first chord the same, that is not to treason? So it was prohibited in ages. Whole song is filled with a indignation and unyielding righteousness. Passionate and generous Melody showing the spirit of justice, is the only “Wu Qu” In Guqin music, regarded as “The king of melodies” in ancient times.
    2)《流水》
    “我从天外银河直奔而下,经过山林巨石的撞击,流过绿野山花的泽地,汇入汪洋之中的憧憬,不见源头不见终,如托付在轮回之中的深情,只求在人间与你相遇,高山流水的知音。”
    “Streams”
    “I went straight from outer Milky Way down through the mountains boulder impact, flows through the green flowers in moor, imported longing of sea, but not the source and the end, as the affectionate entrusted in samsara, but only want to meet with you in the world, the soul mate like mountains and streams. “
    曲目简介:
    相传春秋时,俞伯牙抚琴于山水间,樵夫子期止步琴边,听出”巍巍乎若高山,洋洋乎若流水“的意境。子期死后,伯牙痛失知音,摔琴绝弦。曲谱出自1876年《天闻阁琴谱》,由川派始祖张孔山所传,山涧溪水潺潺,江河潮起潮落,流水声纳百川,表现仁者乐山、智者乐水之意。
    Tracks Introduction:
    According to legend, when the Spring and Autumn Period, Yu Boya playing the Guqin between the landscape, the woodcutter Ziqi stopped listening to the mood “Like as towering mountains, like water flowing”. After Ziqi death, Boya lost his soul mate, broken his Guqin. The music from 1876 “Tian Wen Ge Music” , writed by Sichuan sect Zhang Kongshan, gurgling mountain streams, Ebb and flow, streams imported rivers, to express the benevolent people like mountains, the wise people like streams.
    3)知心
    “那一世,你为天上剔透的白云,我是影入长江的水滴,微波粼粼的呼应,银光升起,穿过千世的浮云,不离不弃,是千载默契的知心。”
    A)  Telesthesia
    “That life, you are in heaven pure white clouds, I was the Yangtze River water droplets, your shadow and I met in the water, silver light rose up through the thousands of the world's clouds, staying with a thousand years of understanding and telesthesia “
    曲目简介:
    琴曲词出自《诗经·小雅·采薇》。原曲为电影《画皮2》内女主角小唯弹唱的琵琶曲,后经熊云韵改编成为古琴独奏弹唱曲。原意为戍卒归途之思,饥寒交迫,而追忆征战之苦,表达伤悲之情。昔日离家之时,杨柳纷飞,春光无限,今日归来之际,所见漫天雨雪,隆冬已至,以强烈的对比表现出时光的飞逝,烘托出情感的失落。全曲缠绵悱恻,调美律工,一抒内心忧愁而无法排解之悲。
    Tracks Introduction:
    Music of the word comes from “Shijing·Xiaoya·Caiwei”. Original song for the film “Painted Skin 2” actress Xiaoya pipa playing and singing, after XiongYunyun adapted into Guqin playing and singing songs. Intended for the garrison soldiers thinking way back, hungry and cold, and the pain of remembrance campaign to express feelings of sadness. Former home when the willow fly, spring infinite, returned today on the occasion, the sky seen snow, winter has been to, in order to exhibit a strong contrast passage of time, express a feeling of loss. Whole song full of pathos, mellow tunes and neat melody to express the sorrow in the heart can not be resolved.
    4)《离骚》
    “滚滚江水沙土浑浊,满腹冤辱的离骚,渺渺云海之下,壮志身躯随沙土沉入江底,悲哉!云水苍苍,江海茫茫,千秋万代,清浊自分,风烟俱净,水亦缥碧,何苦毁身言志?淡泊明志,因缘自来。”
    4) “ Lament “
    “Rolling  river sand, Lament muddy and full of injustice and shame, under the clouds, Heroic body follow sand sink into the river bottom, sad indeed! Gray cloud and water, the vast river and sea, generations, clean or turbid own distinct, wind and smoke are clean and the water also blue, why ruin the body of statement? Indifferent attitude, karma unsolicited. “
    曲目简介:
    据1425年《神奇秘谱》,晚唐陈康士依屈原同名诗而谱,表现士大夫失志而志不平之情。全曲随情绪的起伏变化,采用了商、羽、宫、角调式交替的手法,表现出古朴苍劲、深沉含蓄的风格,表达出屈原在苦闷和悲愤中仍执着坚守理想的精神,《琴学初津》记曰:“始则抑郁,继则豪爽”。
    Tracks Introduction:
    According to the 1425 “ Shen Qi Mi Pu “, Chen Kangshi of LateTang Dynasty created the same name poem based on Quyuan, to express literati demoralized and go rather flat feelings. Whole song with the emotional ups and downs, with approach of Shang, Yu, Gong, Jiao tuning alternate, showing simple vigorous, deep, subtle style, expressing Quyuan in anguish and grief are still clinging to adhere to the ideal spirit, “Qin Xue Chu Jin “ said:“ From depression, following the forthright. “
    5)《酒狂》
    “多少是非拂拭过,多少成败转头空,人间种种,何时休?!我俩举杯当月,欲醒还醉,欲语还休。”
    “ The drunkard “
    “How much right and wrong wiped over, how much success and failure turned empty, the world all sorts of things, when to stop?! We were Toast under the moon, wanted to awake already drunk, wanted to say but did not say.”
    曲目简介:
    据1425年《神奇秘谱》,相传魏晋时,竹林七贤之名士阮籍为避政祸,纵酒求醉、放浪佯狂、违背礼法。琴曲展现出一种混沌朦胧的情态,拟醉酒之态,以泄内心积郁不平之气。乐曲采用八分之三拍这个特定的节拍,醉酒者形象非常鲜明,步履踉跄、醉意朦胧,但内在寓意深刻,愤懑隐晦曲折。
    Tracks Introduction:
    According to the 1425 “ Shen Qi Mi Pu “, according to legend, when Wei Dynasty , the bamboo one of seven sages Ruanji in order to avoid political scourge, drinking, dissolute, contrary to etiquette. Melodies show a chaotic hazy modality, by mimicking a drunken state, to vent dissatisfaction and grievances. Music using three eighths beat this particular beat, drunk image is very clear, faltering, drunken,  but the inner meaning is very profound , resentment is fanciful.
    6)《关山月》
    “虎啸狼嗥玉门关,漫天遍野壮悲凉,关山塞边月夜高,银字笙调,心字香烧;一缕思愁忆故乡,易逝流光,何时归家?”
    “GuanShanMoon”
    “In the Yumenguan tigers howling and everywhere is very desolate, Guanshan frontier in moonlit night, quietly playing flute and incense in the heart, a ray of pessimism recalls hometown, time goes by, and when to go home?”
    曲目简介:
    最早见于1799年《龙琴馆琴谱》,其后1930年《琴学管见》与1931年《梅庵琴谱》先后收录此曲。此曲气势博大,意境深远,遥望月夜苍茫,关山清冷,取战士思乡之意。琴曲将战士的思乡、家人的思亲融于广阔苍茫的景色里,使得景因情而怨,情因景更伤,曲风哀婉凄凉而又雄浑悲壮。
    Tracks Introduction:
    The earliest in 1799 “Long Qin Guan Qin Pu” , followed in 1930, “Qin Xue Guan Jian” and the 1931 “Mei An Qin Pu” has included this melody. Conception is imposing and far-reaching, overlooking the vast moonlit night, Guan Shan is cold, take homesickness meaning of the soldiers. Take the soldiers with their families miss each other's feelings into the vast scenery, , makes the scenery because of the emotion seemed plaintive, and the emotion feeling sad because of scenery, style is bleak and tragic.
    7)《忆故人》
    “万重山,隔不了一种思愁,望天涯,望不尽一世情谊,我于江岸把你思念,独步奈何桥,且听风吟,吟不尽我一生追忆。”
    7) “Recalls an old friend”
    “Thousand mountains can not block thought of you, facing the end of the sky, endless friendship in this life, I miss you in the riverbank and walk alone in the NaiHe bridge, hear the wind sing endless remembrance of my life.”
    曲目简介:
    又名《山中思友人》,据1937年《今虞琴刊》。琴曲旋律柔美、韵腔细腻,一唱三叹,缠绵往复,表现出空山迷蒙、丛林幽静而思念不止的深厚情感。乐曲引申延展,或追忆、或怀古、或伤今,情感层层递进,而每一小节后的“放合”收尾延长情感余韵,既一气流转,又深沉委婉,情感真挚动人。
    Tracks Introduction:
    Also known as “ Miss friends in the mountains “, according to 1937 “Jin Yu Qin Kan”. Soft and delicate melodies, singing with emotion, melodious and moving, back and forth, showing the misty empty mountains, jungle quiet and deep emotional thoughts do not stop. Song extended, or recall, or nostalgia, or hurt today, emotion advance progressive, and the “put together” ending after each section prolonged the emotion, both stretch circulation, but also deep euphemism, emotion is sincere and moving.
    8)《长门怨》
    “那一夜,谁步入了深幽的庭院,关上了门,竟是一生憔颜的独悲,红颜谁怜?那道门,染白了容颜,锁住了长长的悲怨。”
    8) “ Changmen complaints”
    “That night, who entered the clouded courtyard, shut the door, turned out to be a sad lonely life, young face who pity? That door, dyed white hair, locked a long melancholy.”
    曲目简介:
    据1931年《梅庵琴谱》。相传汉武帝的陈皇后失宠,谪居长门宫,司马相如受聘千金,为陈皇后作《长门赋》。后人以《长门赋》之意为曲意,抒发失宠宫妃的哀怨之情。全曲具有山东地方音乐风格,旋律婉转动人,曲调缠绵悱恻,高音区激越凄切,低音区哀婉凄丽,如泣如诉,表现出陈皇后谪居时的愁闷悲思。
    Tracks Introduction:
    According to the 1931 “Mei An Qin Pu”.  According to legend, HanWu Emperor no longer favor Chen queen and make her living alone in Chang Men Gong, Simaxiangru employed by thousands taels of gold , he writed “Chang Men Fu” for the queen. Posterity under “Chang Men Fu” wrote a song to express sad feelings of disfavor concubine. Song music style is Shandong local characteristics, melody mildly touching, sentimental tunes, treble is passionate, bass is sorrowful and mournful, showing the affliction of Chen queen when her lived alone.
    9)《普庵咒》
    “清晨初日入古寺,禅钟木鱼梵音闻,六畜调顺除邪煞,万佛肃穆堂殿间,看似木像却无相,听似钟鸣却无鸣,心在虚空界,何处不是家?”
    9) “Pu'an curse”
    “ The early morning into the temple to hear Zen bell Muyu and chanting , livestock turned smooth to eliminate evil , in the hall there are many stately Buddha, it seems like wooden statue but no phase, sounds like bells but no sound,  let the heart in elysium, where not home?”
    曲目简介:
    相传南北朝时普庵禅师所作,可消灾解厄,可令风调雨顺、五谷丰登、六畜繁殖、万事如意。此曲是古刹闻禅,庄严肃穆的法曲。撮音象征庙里的钟声,单音交替象征诵经声。单音如虫鸣鸟叫,如密雨淋淋,单音参差组合,构成一个自然的旋律,犹如天籁与地籁的悠扬肃穆,听了使人自然进入清净空灵的境界,并能与普庵禅师有求必应的菩萨精神感应。
    Tracks Introduction:
    According to legend, written by PuAn monk in the North and South Dynasty , it can ward off distress, can make good weather, abundant harvests, livestock breeding and good luck. It is a Buddhist Song. CuoYin symbolizes the temple bell, alternating tone symbolized chanting. Tone such as insects and birds, such as the dense rain dripping,  combinations of uneven tone constitute a natural melody, as if the melodious and solemn sound of heaven and earth. After heared it, people naturally into pure ethereal realm, and resonates with the spirit of the buddha from PuAn monk.
    10)《仙翁操》
    “身在云雾空灵处,转身念想脱尘缘,仙翁漫步蓬莱殿,半露笑脸半面仙。”
    “XianWengCao”
    “Body in the clouds, then want to leave the world, Xianweng stroll in Penglai palace like the gods smiled”.
    曲目简介:
    据1962年《古琴初阶》,著名的古琴曲开指小曲之一,学弹古琴的第一首入门曲目。 琴曲短小精悍,主要用散、按同度音,挑、勾不同弦以及简单的绰、注等来练习基础指法,表现出不同音色的和谐。因配有“仙翁仙翁,得道仙翁”的唱词而得名,描绘出于飘渺仙境中淡定悠闲的得道仙翁。
    Tracks Introduction:
    According to the 1962 “Elementary Guqin”, it's the base to learn Guqin, melody is short, practice basic fingering mainly by San, An, Tiao, Gou, Zhuo, etc., showing the different sounds of harmony. The libretto is named because of “Xian Weng Xian Weng, De Dao Xian Weng”, depicted Xianweng walk leisurely in the wonderland.
    11)《秋风词》
    “你在光影里荡漾,断续寒琴,断续秋风,我从前世梦醒,不想杨柳,不忆飞花,只盼再与你,初见。”
    “Autumn Wind word”
    “You waves in light and shadow, sometimes playing the Guqing, sometimes facing the autumn, I wake up from the past, do not miss willow, do not recall flying flowers, only hope first meet you again.”
    曲目简介:
    据1911年王燕卿《梅庵琴谱》。相传依李白同名诗而谱。琴曲借秋风、秋月、落叶、寒鸦烘托出悲凉的气氛。弦声诉相思,弦外寒情苦。全曲勾勒秋意,晕染萧条,将凄清之意挥洒得淋漓尽致,表达缠绵无尽的相思之意。
    Tracks Description:
    According to the 1911 Wang Yanqing “Mei An Qin Pu”. According to legend, according to the namesake poem of Libai. Melody expressed a desolate atmosphere by autumn, moon, leaves and jackdaws, showed the bitter of love. Whole song outline decay of antumn, the desolate feeling and lovesickness complete manifested.
    12)《寒山僧踪》
    “世间种种,万物皆空,寒山僧踪,来去从容,不悲不喜,一切随风。”
    “Hanshan monk track”
    “All things in the world are empty, Hanshan monk's track calmly whether come or go, there is no sad and happy, all follow the wind.”
    曲目简介:

    此曲原为琴箫合奏曲,后经熊云韵改编成古琴独奏曲。《寒山僧踪》为梵净天籁之佛曲,琴声澹泊悠远,传神地诠释了“僧踪何觅”的千古禅机。全曲旋律平稳流畅,风格沉郁清远,曲调虚清悠扬,如诉如语,如静夜月光,空灵禅韵,意寓着一份洞彻红尘世法的通达智慧。无德禅师评价此曲:“你的呼吸便是梵唱,脉搏跳动就是钟鼓,身体便是庙宇,两耳就是菩提,无处不是宁静。”
    Tracks Introduction:
    This song was the ensemble of Guqin and flute originally, after Xiong Yunyun adapted into guqin solo. “ Hanshan monk track “ is a pure buddhist song, melodious sound expressed the eternal zen of “ where to find traces of monk “. Melody of whole song smoother, deep and melodious style, like talk and whisper, such as ethereal moonlight in night, contained the wisdom see through all. Evaluation of Wude monk: “Your breathing is chanting, pulse beat is the bells and drums, the body is the temple, the ears is Puti, everywhere is quiet.”
    13)《风云际会》
    “秋风摧木叶,孤城寒露重,龙在泥池处,遥天忍辱痛,风云际会时,一跃上天宫,承载千秋业,奉天承大统。”
    “Feng Yun Ji Hui”
    “Autumn wind blowing leaves, isolated city heavy dew, dragon in the mud pool, facing the sky to endure humiliation and pain, when the wind and clouds meet, jump into the sky, bear a large responsibility to make outstanding achievements”.
    曲目简介:
    据1864年《琴学入门》。此曲为“闽派古琴”经典曲目,由李禹贤打谱。琴曲气势充足,气概势不可挡,表现风云四起、慷慨激昂的情绪,如激起千层浪,拨起大江潮,席卷风云,声恸心惊。此曲在表现手法上,需用坚实有力的散音开指,由低音区层层推向高音区,达致乐曲的高潮,才能表现出磅礡的气势。
    Tracks Introduction:
    According to the 1864 “Introduction to the Guqin.” This music is outstanding of “Min faction Guqin”, written by Li Yuxian. Melody has sufficient momentum, unstoppable spirit and impassioned emotion, such as provoke the wave and sweep the clouds, the sound is so scared. In the performance practices, need to start with a firm tone, push the bass to treble, to make the song reach the climax, to

演奏者简介:
    熊云韵:旅美青年古琴演奏家。全国古琴大赛金奖。熊云韵老师的代表曲目《广陵散》获颁世界金狮奖 “演奏最高金奖”。毕业于上海音乐学院古琴专业。熊云韵潇湘古琴院院长。潇湘琴社社长。自幼受家父影响熏陶喜爱古琴并学习古琴,至今习琴 20年。先后受教于家父熊开华、唐健垣、李祥霆、朱晞、龚一、戴晓莲、李禹贤七位琴家。熊云韵老师的古琴演奏独具个人风格,刚柔并济,演奏技巧精湛华丽却不失古雅内涵,色彩浓厚却不失优雅细腻。她时常应邀在国内外参与及举办过多次古琴独奏音乐会,并为多部影视剧编配演奏古琴曲均获得较大好评与成功。旅美期间,应邀在特拉华州,纽泽西州和马里兰州举行了多场独奏音乐会。2010年回国后被聘为香港对外文化艺术交流协会荣誉主席,中国古琴学会理事,厦门大学古 琴社高级顾问。任首届香港国际琴筝诗乐邀请赛评委、2012中国民族器乐艺术节古琴组评委、2013第十六届世界金狮奖艺术大赛评委。
    2012年,熊云韵老师受邀在3场由中国古琴学会举办的“2012新年音乐会”上独奏其代表曲目“广陵散”,获得广泛热烈好评。媒体评价:“慷慨激昂、沉雄凄洌的《广陵散》在演奏者熊云韵的表演下,大气磅礴,气势十足。”
    熊云韵老师带领琴院学员参加由国际中国音乐家联合会、国际中华文化艺术交流展演协会、中国音乐家协会中国民族器乐学会联合举办《琴筝诗乐香江情》--首届 香港·国际琴筝诗乐艺术展演活动。熊云韵老师受邀作为评委老师并获“优秀指导老师奖”,熊云韵潇湘古琴院的学员团体荣获“一等奖”。
    熊云韵老师获邀赴新加坡担任由新加坡政府所属的新加坡文化艺术总会举办的“第十六届新加坡世界'金狮奖'艺术大赛”评委。熊云韵潇湘古琴院的学员成绩优秀,纷纷荣获“最高奖”和“金奖”。熊云韵老师荣获大会颁发 “辅导最高奖”。


曲目
1. 广陵散

2. 流水
3. 知心
4. 离骚
5. 酒狂
6. 关山月
7. 忆故人
8. 长门怨
9. 普庵咒
10. 仙翁操
11. 秋风词
12. 寒山僧踪
13. 风云际会



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梦之旅组合《流淌的歌声-真情依旧20CD》WAV+CUE/整轨/115盘
魔音唱片《官方乐典》 DSD WAV+CUE/快传+百度
不追新 不赶潮 只爱经典好声音

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发表于 2014-4-23 18:23:33 | 显示全部楼层
感谢楼主分享真美好音乐

点评

感谢.。。。。。。。。。。。。  详情 回复 发表于 2014-6-25 19:33

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发表于 2014-4-23 19:09:41 | 显示全部楼层
好了好好好好DTYFGK

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发表于 2014-4-23 20:16:00 | 显示全部楼层
古曲感觉都是仙人铺的.

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发表于 2014-4-23 21:21:43 | 显示全部楼层
听听看大师级作评怎么样

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发表于 2014-4-23 21:22:27 | 显示全部楼层
下来听听,谢谢LZ...^_^

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发表于 2014-4-23 21:59:09 | 显示全部楼层
中国国粹经典,支持楼主了

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发表于 2014-4-23 22:35:28 | 显示全部楼层
中国民乐就是值得收藏,超赞

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发表于 2014-4-30 08:11:36 | 显示全部楼层
谢谢楼主  辛苦辛苦
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发表于 2014-4-30 10:01:57 | 显示全部楼层
这个好 一定要的

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职业歌手

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发表于 2014-4-30 21:29:37 | 显示全部楼层
谢谢楼主无私分享音乐!

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发表于 2014-5-1 17:19:46 | 显示全部楼层
刚柔并济,很好听的古琴
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发表于 2014-5-1 22:33:20 | 显示全部楼层
好东东!!!!

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发表于 2014-5-2 19:32:29 | 显示全部楼层
ddddddddddddddddddddddddddddddddd

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发表于 2014-5-2 23:10:42 | 显示全部楼层
熊云韵古琴独奏专辑-广陵散
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