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[欧美摇滚] 德实验电子Klaus Schulze 《31CD》flac/百度

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发表于 2016-3-25 13:27:39 | 显示全部楼层 |阅读模式

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As both a solo artist and as a member of groups including Tangerine Dream and Ash Ra Tempel, Klaus Schulze emerged among the founding fathers of contemporary electronic music, his epic, meditative soundscapes a key influence on the subsequent rise of the new age aesthetic. Born in Berlin on August 4, 1947, Schulze began his performing career during the 1960s, playing guitar, bass and drums in a variety of local bands; by 1969, he was drumming in Tangerine Dream, appearing a year later on their debut LP Electronic Meditation. The album was Schulzes lone effort with the group, however, as he soon co-founded Ash Ra Tempel with Manuel Gottsching and Harmut Enke, debuting in 1971 with a self-titled record; again, however, the band format appeared to stifle Schulze, and he mounted a solo career a few months later.


While Schulzes previous recorded work had been in a typically noisy Krautrock vein, as a solo artist he quickly became more reflective; although he acquired his first synthesizer in 1972, it did not enter into his solo debut Irrlicht, its long, droning pieces instead assembled from electronic organ, oscillators and orchestral recordings. The double album Cyborg followed in 1973, and a year later he issued Blackdance, his first recording to feature synths; Timewind, regarded by many as Schulzes masterpiece, appeared in 1975. Around that same time he began producing prog-rockers the Far East Family Band; the groups keyboardist, who went on to become the new age superstar Kitaro, frequently cited Schulze as the central influence behind his own plunge into the world of synths and electronics.


After collaborating with Stomu Yamashta on 1976s Go, Schulze resurfaced with a flurry of new solo material, including the LP Moondawn, 1977s Mirage and two volumes of the porn soundtrack Body Love. He remained extraordinarily prolific in the years to follow, with 1979s Dune, inspired by the Frank Herbert sci-fi classic, becoming his 11th solo record released during the 1970s alone. The 1980s were no less fertile, with Schulze issuing a steady stream of new work in addition to various productions released on his own IC label; Dig It was his first fully digital recording. By the following decade, Schulze had immersed himself in contemporary dance music, occasionally working in conjunction with Pete Namlook (as Dark Side of the Moog).


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发表于 2016-3-28 13:59:10 | 显示全部楼层
德國電子音樂有其獨特的曲風,謝謝!

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发表于 2016-4-18 10:57:56 | 显示全部楼层
德国的工业和实验电子是我比较喜欢的类型

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发表于 2016-4-28 10:01:09 | 显示全部楼层
好像挺有名,谢谢大大分享

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发表于 2016-5-9 11:27:18 | 显示全部楼层
额 没有中文介绍 不明觉厉 感谢楼主的分享

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发表于 2016-7-30 23:11:24 | 显示全部楼层
要撞脸了,和Paul Mccartney好像!!

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人气天王

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发表于 2016-8-5 17:43:41 | 显示全部楼层
国内很少见到的专辑,好激动,支持了,谢谢楼主

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发表于 2016-9-23 12:12:15 | 显示全部楼层
太爱这个了,找了很久,简直了!!!下过好多他和Pete Namlook等人合作的专辑无损,投桃报李,不日奉上

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